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Room to Read
Oct 01, 2008
By: Haskell Harris
Writer Julia Reed's library is proof that good things come to those who wait
How to Name a Dog
Oct 01, 2008
By: Daniel Wallace
One man's lifelong quest to get it right
Low Impact, High Fun
Oct 01, 2008
By: T. Edward Nickens
An eco-resort in the Caribbean proves that the good life can also be easy on the environment
The Original Hideout
Oct 01, 2008
By: Winston Groom
Why Southerners keep flocking to North Carolina’s High Hampton Inn
Hot Springs, Arkansas
Oct 01, 2008
By: Allston McCrady
From hot mineral baths to a renowned film festival, America’s “first resort” is steaming
Chop Shop
Oct 01, 2008
By: Roy Blount, Jr.
What’s better than a fire on a cold November day? Splitting firewood, of course
The Wine Life
Sep 30, 2008
By: Haskell Harris
Atlanta urbanites aspire to re-create Italian wine country in the hills of North Georgia
Keepers of the Land
Sep 30, 2008
By: Clyde Edgerton
Farmers – and their dirt, dogs, boots, and jeans – shine from the pages of a new book
Out of Shape
Sep 30, 2008
By: Susan Soper
A sculptor turns the ordinary into art
The Michelada
Sep 30, 2008
By: Francine Maroukian
Getting to the bottom of a mysterious Texas concoction
Sounds like Trouble
Sep 30, 2008
By: Matt Hendrickson
Hayes Carll finds inspiration in the South's dark corners
The Kindest Cut
Sep 30, 2008
By: David Mezz
Use a sharpening stone to give your old blade new bite
Water Born
Sep 30, 2008
By: Sandy Lang
Smack in the middle of Florida river country, Aaron Wells crafts some of the country’s finest wooden kayaks and canoes
Bloody Good
Aug 12, 2008
By: Donald Link, as told to Francine Maroukian
New Orleans chef Donald Link shares his Bloody Mary secrets
Okra
Aug 12, 2008
By: Allston McCrady
The South's signature vegetable is ready for harvest
Net Results
Aug 12, 2008
By: David DiBenedetto
If you can't throw a cast net, now's the time to learn
Lazy on the Lumber
Aug 12, 2008
By: Mark Anders
Exploring the Amazon of the South by paddle
Lonesome Doves
Aug 12, 2008
By: Ray Sasser
The San Miguel Ranch & Lodge in southern Texas is a hunter's paradise
A Hotel with Heart
Aug 12, 2008
By: Howell Raines
The feline charm of New Orleans' Soniat House
For the Birds
Aug 08, 2008
By: Paige L. Hill
An avian center with a noble mission opens in South Carolina
Books - Southern Drama
Aug 08, 2008
By: Karen Olsson
Finally, a history of Savannah as rich as the city itself
Pass the Pawpaws
Aug 08, 2008
By: Kent Priestley
West Virginia plan breeder Neal Peterson champions a less-known native fruit
The Temptress of Castle Hill
Aug 08, 2008
By: Donna M. Lucey
A lingering Southern femme fatale enlivens an old Virginia manor
A Good Nose
Aug 08, 2008
By: Roger Pinckney
How a Newfie taught me a few things about women
Home Base
Aug 08, 2008
By: David Mezz
Designer Billy Reid's den comfortably mixes the old and the new
Against the Grain
Aug 08, 2008
By: Roy Blount, Jr.
What happened to the halcyon days of corn?
Taking Flight
Jun 19, 2008
By: Elizabeth Dewberry
After Katrina, a New Orleans artist strives to connect art and the environment
Forever Pine
Jun 19, 2008
By: Sandy Lang
A Louisiana company salvages precious wood and gives it new life
On Patrol
Jun 19, 2008
By: Ben McC. Moïse
The String King
Jun 19, 2008
By: Matt Hendrickson
T Bone Burnett on growing up in Fort Worth, playing with Bob Dylan, and why Andy Warhol matters to music
Bug Off
Jun 18, 2008
By: Roy Blount Jr.
You have to be tricky to get even with pesky flies
Guitar God
Jun 13, 2008
By: Donovan Webster
In the hills of southwest Virginia, Wayne Henderson makes music by hand
Horse Sense
Jun 13, 2008
By: Damon Lee Fowler
An Atlanta architect sets a new standard for equestrian centers
Church in the Woods
Jun 13, 2008
By: Roger Pinckney
At the ruins of an old church, a family honors a tradition begun generations before
Compost Happens
Apr 22, 2008
By: Roy Blount Jr.
How to make a dirt pile worth believing in
Willie Nelson's Grass Station
Apr 22, 2008
By: Joe Nick Patoski
The Red-Headed Stranger may turn the idea of biofuel into a reality
Lapdog
Apr 22, 2008
By: Charles Gaines
How I was trained by my Yorkie
The Original Steel Magnolia
Apr 22, 2008
By: Guy Martin
How a South Alabama farm girl lived to be 104
Minton Sparks Catches Fire
Apr 22, 2008
By: Marshall Chapman
The love child of Flannery O'Connor and Hank Williams lights up the stage
The Flower Doctor
Apr 22, 2008
By: Rosa Shand
A South Carolina neurologist cultivates his legacy through a stunning rare Southern plant
Blade Maker
Apr 22, 2008
By: Monte Burke
Jerry Fisk can turn just about any hunk of metal into a very sharp work of art
The Call Master
Feb 21, 2008
By: Bryan Keith Hunter
A North Carolina woodworker crafts one-of-a-kind birdcalls
Garden Retreat
Feb 14, 2008
By: Allston McCrady
A South Carolina designer reinterprets a classic garden structure
Southern Crew
Feb 14, 2008
By: Elizabeth Connor
Rowing in Tennessee’s Secret City Head Race
Blues Train
Jan 07, 2008
By: Ravi Howard
An afternoon with cultural critic Albert Murray
Mississippi River Road
Jan 07, 2008
By: Andy Anderson & Tim Gautreaux
Part 3 of a Pictorial Journey
Tower Power
Jan 07, 2008
By: Steve Eubanks
Architect Keith Summerour takes his vision of vertical living to rural Georgia
Foraging the Forgotten Coast
Jan 07, 2008
By: Dan Huntley
Preparing a seaside feast in Apalachicola
Wine on the Half Shell
Jan 07, 2008
By: Barbara Ensrud
Seasonal pairings for oysters and clams
Mississippi River Road - Part 2
Nov 07, 2007
By: Andy Anderson & Tim Gautreaux
A Pictorial Journey
Ode to Bourbon
Nov 07, 2007
By: Roy Blount, Jr.
Sweet Reflection on a Sour Mash
Inside Crazy Sista's Kitchen
Nov 07, 2007
By: J. Wes Yoder
Spinning plates and swapping stories at LuLu’s in Alabama with chef and owner Lucy Buffett
Life After Politics
Nov 07, 2007
By: Alex Sanders
After losing a senatorial election, the writer finds redemption in monks and fruitcakes
Emerald Greens
Nov 06, 2007
By: Steve Eubanks
Two Southern cousins dream up Doonbeg Golf Club in Ireland
Mumsy's Big Move
Nov 06, 2007
By: Charlie Geer
A Southern grandmother heads west to forget
Mississippi River Road
Sep 25, 2007
By: A Pictorial Journey by Andy Anderson
Text by Tim Gautreaux
Living Legends of Jazz
Sep 25, 2007
By: Michael White
Come hell or high water, New Orleans plays on
Living Legends of Jazz - Lionel Ferbos
Sep 25, 2007
By: Michael White
Living Legends of Jazz - Lawrence Cotton
Sep 25, 2007
By: Michael White
Living Legends of Jazz - Daniel Farrow
Sep 25, 2007
By: Michael White
Living Legends of Jazz - Peter "Chuck" Badie
Sep 25, 2007
By: Michael White
Living Legends of Jazz - Wendell Eugene
Sep 25, 2007
By: Michael White
Living Legends of Jazz - Thais Clark
Sep 25, 2007
By: Michael White
Living Legends of Jazz - "Uncle" Lionel Batiste
Sep 25, 2007
By: Michael White
Shifting Tides
Sep 24, 2007
By: John Barry
Relying on the Mississippi to rebuild New Orleans
Mating Game
Sep 24, 2007
By: Barbara Ensrud
Pairing bird and bottle to perfection
High Heels and Air Rifles
Sep 24, 2007
By: Marshall Chapman
A Southern woman battles squirrels and embraces fate
Bermuda White
Jun 26, 2007
By: Ben Brown
Storm-Worthy New Urbanism on the Beach
The Bard of Point Clear
Jun 26, 2007
By: Roy Hoffman
The Inimitable Winston Groom
Jubilee
Jun 26, 2007
By: Jimbo Meador
Gigging Fish by Tide and Moon
page: 1 2 3 4 5 6 7

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Horse Sense

By: Damon Lee Fowler
June 13, 2008

The 7,000-square-foot horse stable at Hampton Island Preserve is the community's philosophical heart.
credit: photograph courtesy of Hampton Island Preserve
“This is our leafy decompression chamber,” says Bill Foley, pointing up to the thick overhead canopy as we turn from the paved county road onto a long, shaded lane of yellow clay and gravel.

Moving at a pace not much faster than a horse-drawn wagon, you feel as though you’re slipping back to a time when the woods pressing against either side were truly wild. It is an unlikely entrance for Hampton Island Preserve, a four-thousand-acre equestrian-based private community and nature preserve on a cluster of marsh islands just south of Savannah, Georgia.

But then, that is part of the preserve’s intent. “From the moment you turn into it, you start to relax; you can’t help slowing down,” says Foley, a relaxed, soft-spoken architect from Atlanta and the man behind Hampton Island Preserve’s elegantly understated architecture.

As we cross the marsh onto the north island, the forest gives way to neatly fenced paddocks where Thoroughbreds graze gracefully under the gnarled, spreading branches of old live oaks. At the center of this pastoral setting is our destination—a thirty-foot-high cupola-topped wooden stable. Framed in mortise-and-tenon heavy timber above a dry-laid stone base, covered in weathered siding of reclaimed wood, and roofed with local cedar shakes and corrugated tin, it looks as if it might have been standing on this spot for a hundred years.

Actually, it has been here for less than a year, but its agelessness sets the standard for all the islands’ built environment.

Unlike similar private resorts that provide stables as a peripheral amenity, the equestrian center was planned as the focal point of Hampton Island Preserve, and it is the community’s philosophical and physical heart.

“Horses were the center of the old farms and plantations,” Foley explains, “and here we’ve kept to that concept in adopting the traditional plantation farm plan.”

Instead of imitating period Lowcountry architecture, however, Foley’s team concentrated on capturing its spirit.

“There are no ego monuments here,” he says quietly. “We tried to design in harmony with the environment and local vernacular architecture.”

Caring for Horses
Before putting pen to paper, foley and his partners, with equestrian center director David Nowicki as guide, visited more than forty of the country’s premier horse farms, noting the best features of each.

The result is thoughtful, meticulous detailing. The stalls’ traditional wainscot of tongue-and-groove paneling runs vertically rather than horizontally, making it far less likely that the horses will pick up splinters when they rub against it.

Older stables have dirt floors to protect the horses’ legs and provide natural waste drainage. Here, below a thick layer of hay, each stall is soft-grated with fiber-reinforced polyurethane, providing the advantages of a dirt floor without the maintenance problems. The center aisle sees far more wear and is therefore paved in more durable but still hoof-friendly rubberized brick, which, like much of the building’s fabric, is made from recycled material.

The hardware of the custom stall gates and Dutch doors is mostly concealed to prevent injuries and to keep the horses contained. “These are smart animals,” says Nowicki. “If you have an exposed latch, a horse will figure out how to use it.”

Sustainable Design
One reason Foley chose a local vernacular style for the stable was to make the building more naturally sustainable, a concept that interested him long before he became involved in this project.

In the early days of his practice, Foley participated in a commission for the Southern Solar Energy Center, under the Department of Energy, that included a survey of Georgia architecture that used passive or active energy design. At the time, fewer than two dozen contemporary buildings made use of much more than a solar panel.

Yet, historically, much architecture has long taken advantage of what is today called passive energy design—orienting the buildings to take into account prevailing breezes and solar patterns; and making use of wide, central hallways, high ceilings, clerestories, transoms, thick masonry, and tall double- and triple-hung windows, all optimizing natural air circulation and light.

Foley’s design for the stable—the first of two planned in Hampton Island’s equestrian center—is deeply rooted in these concepts. Carefully sited to capture the prevailing breezes off St. Catherines Sound, its twelve horse stalls and support facilities are organized around a sixteen-foot-wide center aisle contained at each end by massive doors that slide away.

Other details of the building further use those captured breezes: A high, open-structure ceiling and ventilating cupola; a covered perimeter walk to shade the outer walls and doorways; and open ironwork stall dividers and gates all promote free air movement, allow natural upward heat exhaust, and make the most of natural light, keeping indoor temperatures down during the intense Lowcountry summers.

As a result, the stable interior is consistently ten degrees cooler than the outside air—with no mechanical ventilation. Only the tack room, office, lounge, and feed room are conditioned mechanically.

Saddle Up
Supporting the stable facility are twenty-five acres of fenced paddock (more than two and a half acres per animal); a network of riding paths where one can wander for more than two hours without traveling the same path twice; and the unpaved road down which we’ve just driven.

“It was difficult to persuade the county to leave the roads unpaved, to let us keep some of the old bridges and build new ones using older technologies,” says Foley, a founding partner of Hampton Island Preserve. “It was outside the rule books, against the established way things were done. We were trying to recapture a slower pace, dropping back to the way it was a hundred years ago.”

Since the bigger consideration was how best to accommodate the horses and horse-drawn vehicles that are the focus of this community, it is fortunate that the government officials came around to Foley’s way of thinking.

Unpaved roads, meandering pathways, acres of pasture, and understated architecture such as the stable all conspire to create a truly laid-back atmosphere.

“We wanted this place to be the most comfortable and relaxed place that members and guests have ever been,” says Foley. “High-powered executives often spend days without a cell phone, never leaving the guesthouse porch; their kids happily go for weeks without computer games and television.”

In our jet-paced, computer-centric day, that takes some doing.